This new film simulation for the Sigma FP and FP L is based on Sigma’s “Portrait” Color Mode, which I’ve never used before. I haven’t toyed with this particular color mode enough to give you an opinion on its quality, but I will say these initial photos indicate good things. I think the Sigma did an excellent job capturing the colors and the contrast of the Albanian spring flowers and foliage.

This new film simulation for the Sigma FP and FP L is based on Sigma’s pre-installed Color Mode titled “Cinema.” I made a few adjustments to the contrast and intensity of the original profile to creation this recipe. I’m increasingly impressed with the color science on the Sigma FP. It’s almost as if this camera can’t produce an ugly color.

The Powder Blue Color Mode on the Sigma FP continues to be my favorite built-in picture profile, and I’ve once again modified it to create a new film simulation on my FP. I’ve dubbed this one “Azure Natural.” This time, I’ve decreased the strength of the Powder Blue profile, setting it to -2. The saturation of the overall image is increased to the maximum, a slight amount of sharpness has been added, and contrast is slightly diminished. All of these settings can be adjusted and saved in-camera, and they are applied to the final JPEG image.

Hello all! Enjoy this new Ricoh GR III Recipe! This film simulation works with the GR III and the GR IIIx. Today’s new Ricoh GR III Recipe is called Retro Chrome 1600. All of the sample images are SOOC (straight-out-of-camera) JPEG images and the colors were not altered in any way.

Today I’m releasing a brand new film simulation for the Sigma FP and Sigma FP L called “Something Blue.” Having photographed with Sigma’s Powder Blue color mode a few months back, I wanted to create a film recipe that used similar, but more subtle, colors. This simulations is suitable for everyday photography and anyone who wants a pleasing look directly out of the camera.

This is a new film simulation for the Sigma FP series of cameras. If you haven’t checked out the color capabilities of the FP and FP L, I would encourage you to explore them. These cameras have a lot to offer in the way of customization and they even produce beautiful RAW files straight-out-of-camera. I call this film simulation “Moody Orange & Teal.” Its a tweak to Sigma’s own Orange and Teal Color Mode built into the Sigma FP.

Bonjour everyone! Enjoy this new Ricoh GR III Recipe! This film simulation works with the GR III and the GR IIIx.

Today’s new Ricoh GR III Recipe is called Luke’s Kodak Ektachrome 1600

This is the first film simulation where I’ve experimented with setting a manual ISO value. As you probably guessed, that value is ISO 1600. The elevated ISO certainly kept my shutter speeds high.

For those of you who enjoy film simulations, I’m happy to announce the release of a new one for the Sigma FP series of cameras. I call this one Natural Negative. It takes inspiration from two Ricoh GR III color profiles, Bleach Bypass and Negative Film.

For those of us who like to experiment with color, Sigma offers 15+ built in Color Modes for JPEGs and video. I’ve been testing these Color Modes and posting my sample shots here for other people who may be interested in the Sigma FP series. This week I used Sigma’s “Sunset Red.” I was able to take photos in a variety of conditions. I had a few sunny days and a few overcast days, which was helpful in ascertaining how this Color Mode performs in the varying elements.

The Sigma FP and FP L feature an Orange and Teal Color Mode that is genuinely impressive. Orange and Teal has long been a favorite of photographers and cinematographers, and now Sigma has brought an offering to the table. This review provides sample photographs to show why I think Sigma’s Orange and Teal picture profile is one of the best around.

I created a new film simulation (recipe) for the Sigma FP and FP L. This film simulation is similar to those used on Fujifilm and those you’ll find on the Fuji X Weekly website. The simulation is called Vivid +2. This article includes the recipe instructions and sample JPEG images. For vibrant colors, I increased the strength of the Vivid Color Mode by 2 stops. I really like the fact that Sigma allows the user to adjust the strength of the picture profile, something you can’t do on the Ricoh GR III.

I created a brand new film simulation (recipe) for the Sigma FP and FP L. This film simulation is similar to those used on Fujifilm and those you’ll find on the Fuji X Weekly website. The simulation is called Kodak Gold Leaf. This article includes the recipe instructions and sample JPEG images.

This is my 4rd article reviewing the Color Modes on the Sigma FP and FP L cameras. These cameras feature 15+ color modes which can be used when shooting JPEG and video. Previously, I reviewed “Warm Gold,” “Powder Blue,” and “FOV Classic Yellow” all of which I really enjoyed. This article is my take on Sigma’s “Monochrome” offering.

Olympus’ Grainy Film I is a black and white filter which artificially adds grain to the final JPEG file. The grain is definitely noticeable, especially when cropping. That said, I enjoy the look, and it makes these images of north Africa look as if they could have been taken a few decades ago. It gives a timeless aesthetic to the modern world.

Ricoh HDR Film is a new film simulation/recipe for the Ricoh GR III and Ricoh GR IIIx. The instructions and recipe are free in the post. All sample images are unedited straight out of my Ricoh GR III. Ricoh HDR Film is based off Ricoh’s HDR Tone picture profile.

The Sigma FP and FP L offer 15+ color modes, which can be used for still photography and videography. This is my review of the Foveon (FOV) Classic Yellow picture profile. I find it to be a great everyday profile for those who like warm colors.

Analog Negative Film is a new film simulation/recipe for the Ricoh GR III and Ricoh GR IIIx. The instructions and recipe are free in the post. All sample images are unedited straight out of my Ricoh GR III. Analog Negative is based off Ricoh’s Negative Film simulation.

This is my review of Sigma’s Powder Blue color mode. Sigma’s color science, their compact FP cameras, and their robust color mode library convinced me to purchase a Sigma FP and a 45mm f/2.8 DG DN. I’ve long suspected the FP has a lot of still photography potential, and now it’s time to put it to the test. Over the next few weeks, I’m planning to test out the color modes (film simulations) on the Sigma FP and FP L.

I’m back this week with another Ricoh GR III (and GR IIIx) film simulations. In my never ending pursuit to create a Kodak Portra 400 recipe, I was doing some experimenting, and came up with what I’m calling Kodak Magenta Chrome. Admittedly, the recipe isn’t that close to Porta, but that is ok.

This is a review of Sigma’s Warm Gold picture profile. Sigma’s color history, their compact FP camera line, and their robust color mode library culminated in me purchasing a used Sigma FP and the Sigma 45mm f/2.8 DG DN. I’ve long suspected the FP has a lot of untapped photography potential, and now it’s time to put it to the test. Over the next few weeks, I’m planning to test out the color modes (film simulations) on the Sigma FP.